Lyndon House to Open Art Exhibition Analyzing Social Media and Self-Image | Arts & Culture


On November 18, the Lyndon House Arts Center will open the “Curation of Self Image” art exhibit. The exhibit explores themes of self-image, particularly through the prism of social media and its ability to neatly preserve each person’s image and online personality.

Kendall Rogers, a former Lyndon House Arts Center Choice Award winner and 2020 University of Georgia graduate, created the exhibition proposal featuring artists Parawita Stamm, Anjali Howlett, Lauren Schuster, Monsie Troncosco, Emmie Harvard and Alan Barrett.

Self-image and social networks

Rogers found inspiration for the exhibit through the experience of comparing social media profiles, something she shares with her friends.

“The show doesn’t take a negative view,” Rogers said. “It’s just about emphasizing that everyone organizes the way other people see them and that goes beyond social media. I’d like to invite the viewer to think about how they organize their Instagram or invite them to see that everything on social media is neatly organized – and so you shouldn’t compare your everyday life to someone’s organized life. else.

Parawita Stamm, a 2021 UGA graduate, was approached by Rogers to present her play, “A Lonely and Quiet Life in the Country”, in the exhibit. The play is a video art form featuring images of Stamm photoshoping his face to align with stereotypical beauty ideals inspired by a novel by Leo Tolstoy.

“We hide what we want to hide and we only show what we want to show,” Stamm said. “I was really inspired by Russian literature. I was romanticizing, idealizing and aspiring to be in this setting where I wouldn’t have to worry about my image of myself as a woman because everything was decided for you.

Stamm, who was born in Thailand, explained how her identity as a woman has made it easier to recognize society’s expectations for female appearance, while her ethnicity has influenced her perception of social media. She said her piece is centered around the male gaze.

“Especially now with social media and influencers, it’s so much easier to market your image, your body or your face,” Stamm said. “I try to make sure that I specifically incorporate elements of my past and put together phone footage and images from Thai or Asian media to give them more representation.”

UGA 2020 graduate Anjali Howlett will feature framed screenshots of her personal Instagram page in an article. She first developed the concept at the start of the pandemic when her use of social media increased to stay in touch with friends and family.

A self-portrait of Kendall Rogers. Rogers is one of the artists whose work is exhibited at the LExhibition “Curation of the image of oneself” of the arts center of the house yndon. (Photo courtesy / Kendall Rogers)

Howlett uses three different Instagram accounts, including a main page with photos of herself, an art page for completed work and for commercial purposes, and a “finsta” for more candid photographs.

Howlett thought about how each page honestly represented and found her main page to be “the best performing of them all.”

“Sometimes I edit these images on my computer and end up using the same skills as for digital art or graphic design but for Instagram,” Howlett said. “There is a conversation there about which of our publications could be considered artistic photography or works of art even if they are only publications.”

Alan Barrett, a senior specializing in ceramics and advertising, will have his oil painting titled “Collections” featured in the exhibition. The piece shows four friends sitting on a sofa on their phones with their Instagram handles and profiles displayed above their heads.

“The idea was what’s most important, gathering friends or followers? Barrett said. “We have friends online and sometimes we pay more attention to them than the friends in front of us. It was myself who called me, but also a little to call my friends.

Barrett made the play his sophomore year at UGA after reflecting on how people’s representations of themselves on social media often differ from reality.

“I hope people can think about their own use of social media and how they spend time with their friends,” Barrett said. “Maybe think about how you spend time with people, like being in the moment and not trying to convince people of something else.”

Connect to individuals and communities

Beyond this exhibition, Rogers appreciated the importance of her curatorial role in bringing diverse voices that are generally not heard in her collections while breaking down the traditionally high walls that surround the art world.

“There is a lot of suffocation around art,” Rogers said. “People don’t talk about it too much because they may be afraid that they don’t know enough about the art and therefore not participate in the conversation.”

Opening on the same day as the ‘Self-Image Curing’ exhibition, the ‘Figure Land’ and ‘Follow Like a Friend’ exhibits will also be on display at Lyndon House. Didi Dunphy, Program Supervisor for Lyndon House, highlighted how themes of cultural placement and identity will come together in each gallery to build upon each other.

According to Dunphy, “Figure Ground” focuses on the composition and spatiality of figures. “Curation of Self Image” focuses on people who see themselves through social media and “Follow Like Friend” examines social media through a voyeuristic lens.

Exploring these themes of social media and identity, Dunphy recognized the importance of art in connecting communities through self-exploration and the meaningful interaction arising from creative outlets.

“We have discovered the importance of the visual arts and the creative sector and the interpretation of our humanity, especially through all the stresses we have endured,” said Dunphy. “Finding ways to interact with each other as humans through the visual arts, I think, is crucial for our survival and enrichment, especially in our small town of Athens. “

Barrett explained that for him, art is ultimately about building a community and a space where people can share common experiences. He underlined a line to explain the meaning of art to her in Ocean Vuong’s “On Earth We’re Briefly Gorgeous” book which says, “Is this art? Thinking that what we feel is ours when in the end it is someone else and longing who finds us.

“The idea is that when someone creates a work of art and places it in a space, we have an emotional response to it,” Barrett said. “In sharing art through galleries or social media, you share your feelings, emotions and experiences with others and you will quickly learn that you are not alone in those feelings.”

The exhibition will be open to the public free of charge during normal gallery hours. More information can be found on Lyndon House’s website, Facebook or Instagram.

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